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DrumnBass duo Ed Rush and Optical have just release their new album Wormhole and are providing this weekends Essential Mix. Where were you and what were you doing musically when you got together? Optical: We met through friends and often met each other at Music House cutting dubplates. I was working on my own musical projects at the time.
What do each of you bring musically to the partnership? Optical: Ed Rush was making music for a longtime before we met. He has a great sense of what works on a dancefloor. Ed Rush: Optical brings his diverse musical talent and knowledge to the outfit, his overall understanding of textures and depth is second to none. How does Wormhole differ from your previous solo projects? Optical: More exploration, more depth sonically. Ed Rush: As Ive got older my taste, attitude and preferences have matured. I think there is more of a funk element, but we still keep the attitude. If your music was a soundtrack what movie would it be? Optical: A Hitchcock thriller. Ed Rush: I would like to think musically we are more suited to a science fiction theme, something like the 5th Element. What are your first memories of drum & bass, what were the tunes and what were you doing at that period of time? Optical: I was working at Great Asset Distribution in the studio and DJing at outdoor, free raves. I thought the use of breaks in house and hardcore was much needed. The progression to D&B was even better. Ed Rush: Oxford, in a field ten years ago at the Spiral Tribe phat parties. The tunes were Naz AKA Naz Started Again, Ajax EP 28 Gun Bad Boy and A Guy Called Gerald. I was studying at college and had just bought a pair of 1210s. What is your proudest achievement on vinyl? Optical: Lifespan, Crisis and Wormhole. Ed Rush: Mothership and Lifespan. What pisses you off? Optical: Everything (at one time or other). Ed Rush: Shit sound systems and MCs with verbal diarrhea.
Hip hop track? Optical: Schooly Ds first album. I loved the beats and rhymes. Ed Rush: EPMD So What Cha Sayin and Redman Pick It Up. Both produced by Eric Serman phat!!! Techno track? Optical: Lenny Dee Incinerator and DX 13. Extreme hard New York techno with amazing distorted sounds and bass. Ed Rush: Joey Beltram Close Grind. Clever arrangements, amazing loops and tight percussion. Drum & bass track? Optical: Impossible, it changes every few hours. Ed Rush: Too many to mention. House track? Optical: 20Hz by Capricorn I think. Simple, with bad percussion and chimes at the beginning. Ed Rush: Kevin Saunderson Uptempo. Very rollin. Name three living legends in music. Optical: RZA, Herbie Hancock and my brother Matrix. Ed Rush: James Brown, Eric Sermon and Dillinger. Is 1999 going to be a big year for drum & bass? Optical: The progression of the sound continues, it will be another good year. Ed Rush: I think the whole foundation of the scene is so strong now, although with the amount of worldwide interest it can only get stronger.
Optical: I get up when I like, work when I like on what ever I like. We have total control of our lives. Ed Rush: No one could offer us a deal we were totally happy with, it is important for us to have control of everything. What are your plans for your record company, Virus? Optical: Keeping the right vibe to the label with more quality releases this year. Ed Rush: We have several 12s line up and plans for another new album. The Track Listings....
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